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Italy, Venice, Antipope
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Italy, Venice, Antipope
Max Ernst (1891-1976), The Antipope, 1941
Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide
Media ID 9571241
© DEA / S. SUTTO
1941 20th Century Style Animal Head Anxiety Belly Bizarre Distorted Dress Eccentric Fantasy Horror Horse Leaning Mask Mystery Ominous Semi Dress Surreal Surrealism Two People Unrecognizable Person Animal Representation Deformed
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EDITORS COMMENTS
In this intriguing print titled "Italy, Venice, Antipope" we are transported to a world of mystery and fantasy. Painted by the renowned artist Max Ernst in 1941, this full-length depiction showcases an eccentric figure standing with a leaning posture. The antipope's belly protrudes prominently as he wears a mask that conceals his true identity, adding an air of ominousness to the scene. Ernst's surrealistic style is evident in the deformed and distorted features of both the antipope and his horse companion. The vertical composition enhances the horror-like atmosphere while emphasizing their unrecognizable forms. As we gaze upon this bizarre tableau, anxiety grips us, evoking a sense of unease. The fine art painting skillfully combines human representation with animal elements, blurring the boundaries between reality and imagination. Dressed in semi-formal attire, the antipope holds an aura of authority despite his unconventional appearance. Set against an outdoor backdrop reminiscent of Venice's enchanting streetscape, this artwork invites us into its enigmatic narrative. It captures our attention through its surrealist aesthetics and prompts us to ponder its deeper meaning. This piece from the 20th century exemplifies Ernst's mastery in creating thought-provoking compositions that challenge conventional norms. With its blend of surrealism and symbolism, "Italy, Venice Antipope" remains timeless—a testament to Ernst's artistic genius.
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