Gray four-eyed opossum, Didelphis opossum
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Gray four-eyed opossum, Didelphis opossum
Gray four-eyed opossum, Didelphis opossum, and Linnaeus mouse opossum, Marmosa murina.. Handcolored copperplate stipple engraving from Frederic Cuviers Dictionary of Natural Science: Mammals, Paris, France, 1816. Illustration by J. G. Pretre, engraved by Guyard, directed by Pierre Jean-Francois Turpin, and published by F.G. Levrault. Jean Gabriel Pretre (1780-1845) was painter of natural history at Empress Josephines zoo and later became artist to the Museum of Natural History
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Media ID 14215037
© Florilegius / Mary Evans
Cuvier Dictionary Didelphis Eyed Frederic Gabriel Gray Linnaeus Opossum Pretre Stipple
EDITORS COMMENTS
This stunning handcolored copperplate stipple engraving depicts the Gray Four-eyed Opossum, scientifically known as Didelphis opossum, Linnaeus mouse opossum, or Marmosa murina. The image is taken from Frederic Cuvier's Dictionary of Natural Science: Mammals, published in Paris, France, in 1816. The illustration was painted by Jean Gabriel Pretre, a renowned painter of natural history at Empress Josephine's zoo, and later became the artist to the Museum of Natural History. The engraving was executed by Guyard, under the direction of Pierre Jean-Francois Turpin, and published by F.G. Levrault. The Gray Four-eyed Opossum is native to Central and South America and is easily identified by its distinctive markings - two patches of white fur around its eyes, which resemble goggles, and a long, prehensile tail. This opossum is an omnivore and feeds on fruits, insects, and small vertebrates. It is also known for its ability to play dead when threatened, a behavior that helps it escape predation. This exquisite engraving is a testament to the remarkable detail and artistry of natural history illustration during the early 19th century. The intricate stipple technique used to create the image allows for a remarkable level of texture and depth, bringing the Gray Four-eyed Opossum to life on the page. The historical significance of this work, combined with its aesthetic beauty, makes it a valuable addition to any collection of natural history or zoology prints.
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