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Morning of the Lady of the Manor, 1823. Artist: Venetsianov, Alexei Gavrilovich (1780-1847)
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Morning of the Lady of the Manor, 1823. Artist: Venetsianov, Alexei Gavrilovich (1780-1847)
Morning of the Lady of the Manor, 1823. Found in the collection of the State Russian Museum, St. Petersburg
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Media ID 14892622
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Alexei Gavrilovich 1780 1847 Estate Exploitation Feudal Feudalism Folklore Kokoshnik Landlord Landowner Landowners Landownership Nobility Peasant Peasants Russian Dress Russian History Russian Nobility Russian Painting Of 19th Cen Sarafan Serf Serfdom Serfs Vassal Venetsianov Lady Of The Manor
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Morning of the Lady of the Manor, 1823
EDITORS COMMENTS
is a captivating painting by Alexei Gavrilovich Venetsianov that offers a glimpse into the world of Russian nobility during the 19th century. The artist skillfully captures the essence of traditional Russian culture and folklore through this exquisite piece. Set against a backdrop of an opulent estate, we see the lady of the manor adorned in her elaborate traditional costume. Her attire, consisting of a beautifully embroidered sarafan and an ornate kokoshnik headdress, symbolizes her status as a member of the aristocracy. The fine details on her dress highlight both her wealth and social standing. However, beyond its aesthetic appeal lies a deeper narrative about feudalism and exploitation prevalent at that time. In stark contrast to the lady's luxurious lifestyle are peasants working diligently in fields nearby. These hardworking individuals represent serfs who were bound to their landowners under oppressive conditions. Venetsianov's brushstrokes convey not only his technical prowess but also his empathy towards those living under such circumstances. Through this painting, he sheds light on societal inequalities while simultaneously celebrating Russia's rich cultural heritage. Preserved within the State Russian Museum in St. Petersburg, "Morning of the Lady of Manor" serves as an important historical artifact that invites viewers to reflect upon themes like class divisions and landownership prevalent during that era. It stands as a testament to Venetsianov's talent for capturing both beauty and social commentary within his
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