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Madame Greuze Asleep, 1776. Creator: Jean-Michel the Younger Moreau (French, 1741-1814)

Madame Greuze Asleep, 1776. Creator: Jean-Michel the Younger Moreau (French, 1741-1814)


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Madame Greuze Asleep, 1776. Creator: Jean-Michel the Younger Moreau (French, 1741-1814)

Madame Greuze Asleep, 1776. Presented as an allegorical figure of philosophy, a woman slumbers among the traditional trappings of a scholars study: a writing desk with feather pen, piles of books, and a celestial globe. The model was Anne-Gabrielle Babuti, wife of Jean-Baptiste Greuze, who prepared the original drawing for Moreau to replicate. Contracts with printmakers show that Anne-Gabrielle actively participated in the production of her husbands work for the print market. Although she appears mild here, Anne-Gabrielle had a reputation for being greedy and promiscuous. Greuze filed for divorce when it became legal in 1793, claiming that his wife " carried adultery to the point of shamelessness, cynicism to the point of unimaginable insolence."

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Media ID 19625100

© Heritage Art/Heritage Images

1741 1814 Etching And Engraving


FEATURES IN THESE COLLECTIONS

> Arts > Artists > G > Jean Baptiste Greuze

> Arts > Artists > M > Jean Michel the Younger Moreau

> Arts > Artists > M > Jean Michel

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > United Kingdom > England > Cleveland


EDITORS COMMENTS
The print titled "Madame Greuze Asleep, 1776" captures an intriguing allegorical representation of philosophy. In this image, a woman peacefully slumbers amidst the scholarly surroundings of a study. The meticulous details include a writing desk adorned with a feather pen, stacks of books, and even a celestial globe. The model for this artwork is Anne-Gabrielle Babuti, the wife of Jean-Baptiste Greuze. It was she who provided the original drawing for Jean-Michel Moreau to replicate in his print. Interestingly enough, historical contracts with printmakers reveal that Anne-Gabrielle actively participated in her husband's work for the print market. While appearing serene in this portrayal, it is worth noting that Anne-Gabrielle had garnered quite a reputation during her time. She was known to be both greedy and promiscuous. Eventually, when divorce became legal in 1793, Greuze filed for separation from his wife on grounds of her audacious adultery and unimaginable insolence. This etching and engraving by Jean-Michel Moreau showcases not only his artistic skill but also provides us with glimpses into the personal lives and complexities of those involved. Preserved by The Cleveland Museum of Art as part of their heritage collection, this piece offers viewers an opportunity to delve into the rich history and narratives behind such masterful works from the 18th century French art scene.

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