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Church and Village in the Middle of a Field, Montigny, 1866 (pen & ink and w / c on paper)

Church and Village in the Middle of a Field, Montigny, 1866 (pen & ink and w  /  c on paper)


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Church and Village in the Middle of a Field, Montigny, 1866 (pen & ink and w / c on paper)

XIR209583 Church and Village in the Middle of a Field, Montigny, 1866 (pen & ink and w/c on paper) by Hervier, Louis Adolphe (1818-79); Louvre, Paris, France; (add.info.: Eglise et Village au Milieu d une Plaine; ); French, out of copyright

Media ID 12756891

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Clocktower Plain Spire Steeple


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EDITORS COMMENTS
This print titled "Church and Village in the Middle of a Field, Montigny, 1866" transports us back to a simpler time in rural France. The artist, Louis Adolphe Hervier, skillfully captures the essence of countryside life with his pen and ink drawing combined with watercolors on paper. In this picturesque scene, we are greeted by a quaint village nestled amidst vast fields. The focal point is undoubtedly the charming church standing proudly at the heart of the settlement. Its clocktower rises majestically into the sky, while its spire and steeple add an air of gracefulness to the landscape. The surrounding countryside exudes tranquility as far as the eye can see. Rolling hills stretch out towards distant horizons, painted with delicate brushstrokes that evoke a sense of serenity. One cannot help but feel transported to this idyllic setting where time seems to stand still. Hervier's attention to detail brings every element of this composition to life - from each blade of grass swaying gently in the wind to every brick meticulously depicted on rooftops. This artwork serves as a testament not only to Hervier's artistic prowess but also as a window into rural French life during the 19th century. Displayed at Louvre Museum in Paris, this piece offers viewers an opportunity for reflection and appreciation for both nature's beauty and human ingenuity showcased within this harmonious coexistence between church and village amidst endless fields.

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