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Portrait of a Woman at a Harpsichord, c. 1788 (w / c on ivory)
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Portrait of a Woman at a Harpsichord, c. 1788 (w / c on ivory)
491231 Portrait of a Woman at a Harpsichord, c.1788 (w/c on ivory) by Dumont, Francois (1751-1831); h:7.30 cm; Cleveland Museum of Art, OH, USA; (add.info.: We do not know the identity of this elegantly dressed woman who plays a sonata on the harpsichord. There are two copies of this miniature that are attributed to other artists (Peter Adolphe Hall and Marie Christine Campana), and both identify the sitter as Sophie Arnould, a highly acclaimed French soprano. A common practice in portraits, Dumont was fond of using objects in the space around the sitter to express her character, so it is possible that this woman was a musician. To play a musical instrument well was considered an essential feminine accomplishment for an aristocratic woman during the eighteenth century, and like her fashionable dress, communicates the sitters grace and charm to the viewer. This miniature was probably painted around 1788, on the eve of the French revolution, and the year that Sophie retired from the stage at the age of 48. Unknown sitters are oftentimes later identified as persons who were well-known or fashionable during the period when the work was painted, and it is difficult to know conclusively. Cory Korkow
signed right: Dumont. fc
); The Edward B. Greene Collection; French, out of copyright
Media ID 22923668
© The Edward B. Greene Collection / Bridgeman Images
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EDITORS COMMENTS
This portrait, titled "Portrait of a Woman at a Harpsichord" captures the elegance and grace of an unknown woman from the late 18th century. Painted by Francois Dumont in approximately 1788, this watercolor on ivory print showcases the sitter playing a sonata on the harpsichord. The identity of this mysterious woman remains unknown, but two other copies of this miniature attribute her as Sophie Arnould, a renowned French soprano. Dumont skillfully incorporates objects surrounding the sitter to express her character and possibly suggest her profession as a musician. During the 18th century, playing a musical instrument was considered an essential accomplishment for aristocratic women. This talent not only demonstrated refinement but also added to their charm and allure. The fashionable attire worn by our subject further enhances her graceful presence. Painted just before the French Revolution and around the time Sophie Arnould retired from performing at age 48, this miniature holds historical significance. It is common for unidentified sitters in portraits to be later recognized as well-known or fashionable individuals from that era. With its delicate brushwork and attention to detail, Dumont's masterpiece invites viewers into an intimate moment with this enigmatic woman at her harpsichord. The painting now resides in The Edward B. Greene Collection at Cleveland Museum of Art in Ohio, USA.
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