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The Fear of the World; or, Living for Appearances, by the Brothers Mayhew (engraving)
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The Fear of the World; or, Living for Appearances, by the Brothers Mayhew (engraving)
1611943 The Fear of the World; or, Living for Appearances, by the Brothers Mayhew (engraving) by English School, (19th century); Private Collection; (add.info.: The Fear of the World; or, Living for Appearances, by the Brothers Mayhew. Illustration for The Illustrated London News, 2 February 1850.
English School (19th Century)); Look and Learn / Illustrated Papers Collection
Media ID 23000544
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Appearances Copy Literary Illustrations Living Original Writ
The Fear of the World; or, Living for Appearances
EDITORS COMMENTS
is a captivating engraving by the Brothers Mayhew, created in the 19th century. This thought-provoking artwork, now part of a private collection, offers a glimpse into society's obsession with appearances and the consequences it may bring. The intricate details within this print draw viewers into a world where individuals are consumed by their desire to project an image of success and happiness. The Mayhew brothers skillfully depict characters who seem trapped in their own self-created façades, desperately trying to maintain an illusion of perfection while hiding their true fears and insecurities. Through this powerful imagery, we are reminded of the timeless struggle faced by many - living up to societal expectations at the cost of personal authenticity. The delicate lines and shading employed by the English School artist further enhance our understanding of these complex emotions. Originally published as an illustration for The Illustrated London News in February 1850, this engraving continues to resonate with audiences today. It serves as a poignant reminder that appearances can be deceiving and that true fulfillment lies not in superficiality but in embracing one's genuine self. Bridgeman Images has preserved this remarkable piece from Fine Art Finder's collection, allowing us to contemplate its profound message about societal pressures and individual identity. As we gaze upon "The Fear of the World; or Living for Appearances" we are compelled to reflect on our own lives and question whether we too have succumbed to the fear
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