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Eleanor of Aquitaine with a riding companion (mural)
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Eleanor of Aquitaine with a riding companion (mural)
PNP269059 Eleanor of Aquitaine with a riding companion (mural) by French School, (13th century); Chapel of St. Radegund, Chinon, France; (add.info.: Eleanor of Aquitaine (1122-1204) was Queen consort of both France and England in turn and the mother of both King Richard I and King John; depicted here with a companion, probably Isabella of Angouleme; Alienor; ); Peter Newark Pictures; French, out of copyright
Media ID 22354400
© Peter Newark Pictures / Bridgeman Images
Chapelle French Queen Sainte Radegonde Traditional Costume
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EDITORS COMMENTS
This black and white mural print showcases the iconic Eleanor of Aquitaine, a prominent figure in medieval history. Painted by an anonymous French artist from the 13th century, this masterpiece depicts Eleanor with her riding companion, believed to be Isabella of Angouleme. The mural is located in the Chapel of St. Radegund in Chinon, France. Eleanor of Aquitaine was not only Queen consort of both France and England but also the mother of two kings: Richard I (also known as Richard the Lionheart) and John. Her influence extended far beyond her royal status, making her one of the most powerful women in European history. In this artwork, Eleanor exudes regality as she sits atop a majestic horse dressed in traditional attire. Her headdress adds an air of elegance to her already commanding presence. The mural captures a moment frozen in time, showcasing both strength and grace. The horses depicted alongside Eleanor and her companion symbolize power and nobility while emphasizing their shared love for equestrian pursuits. This image serves as a testament to their skillful horsemanship. Bridgeman Images presents this remarkable piece from Peter Newark Pictures' collection for all art enthusiasts to appreciate its historical significance and artistic beauty. It offers us a glimpse into the life and legacy of one extraordinary woman who left an indelible mark on European royalty.
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